Thrills and drama are left standing on the tarmac in “Boarding Gate” a limp, sleazy inanity by renowned French critic cum erratic helmer Olivier Assayas. Aiming for an erotic thriller, this out of ...
Olivier Assayas‘s “Boarding Gate” arrives on these shores like a battered shipment of cheap goods. True, it’s only sat moldering for ten months in its film canister since its Cannes premiere — a ...
There’s basically only one reason to see Olivier Assayas’s self-consciously hypermodern, meta-sleazy, English-French-Chinese-language globo-thriller Boarding Gate, and her name is Asia Argento.
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