Conductor Semyon Bychkov will take up the post of Paris Opera music director for an initial four-year term from 2028 ...

The main difference between the Broadway score and the movie’s is the omission of the song of the baroness and Max, much like in the movie of Cabaret in which the older characters don’t sing, “How Can ...

Semyon Bychkov will be the musical director for a period when the opera’s performance spaces are under renovation. It’s a ...

Semyon Bychkov has been appointed as the next Music Director at the Paris Opera. The Russian-born conductor will join the company from August 1, 2026 as Appointed Music Director before coming into the ...

Performances in N.Y.C. Advertisement Supported by A youth orchestra program for musicians as young as 8 is part of Paris Opera’s effort to widen access to the art form and secure its future. By ...

In an age where digital technology melds seamlessly with art, the world's premier opera houses, ballet companies, and classical orchestras are now just a click away. Whether you're a seasoned ...

An overly simplified comparison of genre, when distinguishing between opera and musical theater, looks at the ratio of words to music. It claims that opera is “sung through” while musicals rely on ...

The only problem with the Opera Saratoga season is that it’s too short. In only two weeks the company is offering only our productions of “La Vie Parisienne,” five productions of “She Loves Me,” and ...

Step back 2,000 years into the enchanting yet gritty world of Mary Magdalene when Genesis Opera Theatre’s production of “Magdalene: The Musical” graces the stage on April 6 and 7, at the STAR ...

NPR's Scott Simon speaks with Givonna Joseph of Loyola University New Orleans and Gwen Thompkins of WWNO radio about the influence of opera on jazz music. And that is Jelly Roll Morton, the jazz ...