High in the Pyrenees, a centuries-old way of life approaches its twilight amid a controversial rewilding scheme. France’s ...

If last year’s Maryland Film Festival felt like a trial run for a new era of Baltimore’s cornerstone film event, the 26th ...

Documentary filmmaker Lynn Sachs on her latest, “Every Contact Leaves a Trace,” in which she remembers seven life-altering encounters.

Mario Patrocínio’s Maria Vitória is the writer-director’s first narrative feature, but it brings the chops of his documentary ...

Benita may not have left a note when she took her life, but her archive was a kind of trail — what I call a “filmmaker’s ...

Andres Veiel’s “Riefenstahl” is an arresting and deeply disturbing all-archival portrait of the titular Third Reich ...

The nonprofit Sundance Institute today announced in a press release details for the 2026 Sundance Film Festival’s annual ...

Writer-director Avalon Fast discusses her sophomore feature CAMP, which centers on a group of “gorgeous misfits” working at a Canadian summer camp.

Alex Winter and Tom Stern’s 1993 cult classic Freaked is less an example of “high” and “low” art commingling than of pop- and-sub-cultures colliding. At the precipice of marquee fame after headlining ...

The latest entry in Heinz Emigholz’s (Slaughterhouses of Modernity, NYFF60) incisive, decades-long inquiry into the cinematic representation of space contrasts two Turin landmarks designed by Italian ...

Ari Aster previously used the horror genre as a lens to examine dysfunctional family dynamics in Hereditary and break-up messiness in Midsommar. He then pivoted to the manic surrealism of Beau is ...

“For the pattern of unfulfilled desires has trapped the Antilles and America. From the time of the arrival of the conquistadors and the rise of their technical know-how (beginning with firearms), the ...