You can always rely on the Ryedale Festival to come up with inventive and engaging ideas, so it was no surprise that, not content with the hugely successful Summer Festival in July, they have now ...

Walton’s instrumental scoring is waywardly of its time – picked, one assumes, for timbral impression more than blend, it’s ...

Christopher Alden’s surrealist staging of Partenope remains one of ENO’s most stylish and subversive Handel productions.

Inspired by a painting by Ben Edge depicting an ancient Dolmen threatened by a devil, composer and writer Isabella Gellis ...

Jakub Hrůša’s command of Mahler’s complex structure remained formidable, his balancing of sonorities and long lines ...

Simon Rattle’s appearances at the Barbican are always an event, but this one carried a particular charge: his first London ...

It’s not often the stage at Barbican Hall is too small to fit the works programmed, but Sunday evening saw around half of the ...

Stephen Langridge’s production of The Railway Children, which has a libretto by Rachael Hewer, premiered in East Sussex on 30 ...

Opera North and Shadwell Opera partner to bring an obscure story to life ...

Thursday evening at Smith Square Hall (the home of Sinfonia Smith Square) opened with an introduction by Iestyn Davies, ...

Specialist Baroque group Spiritato work their usual magic with works by Fasch, Graupner and J S Bach in another concert from ...

English National Opera’s (ENO) new production of Jake Heggie and Terrence McNally’s Dead Man Walking is a towering ...